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8 January 1836 – 25 June 1912. Most renowned painters.

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Bourdon, Sebastien
A Scene from Roman History

ID: 29526

Bourdon, Sebastien A Scene from Roman History
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Bourdon, Sebastien A Scene from Roman History


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Bourdon, Sebastien

French, 1616-1671.French painter. Bourdon was active in Rome (1634 C37), in Sweden (1652 C54) as Queen Christina's court portrait painter, and in Paris; he also worked in his native Montpellier, where he painted The Fall of Simon Magus for the cathedral. The Finding of Moses is in the National Gallery of Art, Washington, D.C.   Related Paintings of Bourdon, Sebastien :. | A Scene from Roman History | The Fortune-Teller (mk17) | Queen Christina of Sweden on Horseback | The Selling of Joseph into Slavery | The Death of Dido |
Related Artists:
Tom Thomson
(August 5, 1877 - July 8, 1917), also known as Tom Thomson, was an influential Canadian artist of the early 20th century. He directly influenced a group of Canadian painters that would come to be known as the Group of Seven, and though he died before they formally formed, he is sometimes incorrectly credited as being a member of the group itself. Thomson died under mysterious circumstances, which added to his mystique.
Jan Preisler
Czechoslovakian, 1872-1918 Bohemian painter. He studied at the School of Applied Arts in Prague (1887-95). In 1906 he visited Belgium, the Netherlands and Paris. He taught at the Academy of Arts in Prague from 1913. He was a pioneer in modern Bohemian art, and his work developed from pure Art Nouveau and Symbolism towards Expressionism, in three phases. The period 1887-1900 is represented by the triptych Spring (1900; Prague, Trade Fair Pal.): with its lack of scales of tonal value or Impressionist instantaneousness, it is a skilful use of colour and composition. The figure of the boy with autobiographical features is symbolic of a whole generation. The period 1901-7 culminated in Painting from a Bigger Cycle (1901-2; Prague, Trade Fair Pal.), which balances vertical and horizontal lines and employs bright colour combinations. In Black Lake (1904; Prague, Trade Fair Pal.), which deals with the misery and excitement of first love, the contrast of black and white and the figure of the boy with a horse and a girl evoke the transitive moment between reality and dream. Spring (1906; Prague, Trade Fair Pal.), a testament to Preisler admiration for the work of Gauguin, develops the resonant contrast of green, yellow and white. In 1908-18 Preisler returned to monumental decoration: of the Palacky Room in the Municipal House in Prague, 1910-12, in the style of Puvis de Chavannes. At this time he was approaching the Expressionism of the younger generation from the Eight (ii), especially in the three versions of the painting Good Samaritan (1910-13; all priv. col., see Kotalok, pl. 41), which shows the influence of Daumier and Munch.
Stanislav Feikl
(November 12, 1883-January 7, 1933) was a Czech painter. He studied at the School of Applied Arts and at the Prague Academy of Fine Arts. For inspiration, he toured Russia, Turkey, Dalmatia and northern Italy. He is known for his pictures of old Prague, rural areas and portraits of women, including naked. He painted impressionist paintings.






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